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Lightroom – subscribe or not?

For some time now I’ve been a happy user of Adobe Lightroom. I brought it back when Lightroom 4 was released, skipped version 5, then paid to upgrade to 6.

Since then, Adobe has discontinued the perpetually licensed version. The only way to legally obtain Lightroom is by paying £120-240 per-year for one of their Creative Cloud subscriptions.

Unfortunately the new subscription model is a rather poor fit for my needs.

I want to state upfront that I don’t object to subscription-based pricing models for software in general. It makes a lot of sense from a development point of view, as maintenance and support costs don’t go away once the product is shipped. But in my opinion Adobe has reached too far, and is trying to steer customers towards cloud solutions for reasons that don’t really align with their best interests.

Subscription models done right

For a good approach to subscriptions, I’d like to draw your attention to Jetbrains (makers of software development tools which I use). They switched to a subscription model in 2015, a little while after Adobe’s subscription-based Creative Cloud product launched.

The section titled “reasons for our move to subscriptions and concerns raised”, is worth a read, and makes a good case for subscriptions. The TL;DR version is that customers get new features sooner, and it’s easier to prioritise important under-the-hood improvements which wouldn’t typically make good marketing material, or bullet points on a “what’s new” feature list.

Despite this, the initial feedback was extremely negative. But to their credit, Jetbrains listened and improved the offer, by allowing customers to use the base version, that was shipping at the time the subscription was taken out, in perpetuity. And giving a discount for repeat subscriptions.

In my view this is fair, even if you don’t like subscription models. You pay one annual subscription, but you can continue to use the software as it was at the time of subscription if you no longer wish to pay for updates. The bet is that most customers will find the upgrades in the 12 months since the subscription worth the money they paid. I certainly do; the improvements are steady, and I’ve kept my subscription active since.

What’s wrong with Adobe’s Lightroom subscriptions?

A number of things actually, but it all boils down to value for money.

One is that unlike Jetbrains, you don’t get to use the base version in perpetuity. Once your subscription expires, Adobe disables import and editing. You can browse and export your previously edited files, but no more changes are possible.

Second is the lack of flexibility.

I am not a particularly frequent user. I use Lightroom to process my photos, but I’m not a professional photographer; I use Lightroom to process photos from trips away or any events such as weddings I attend.

It all adds up to 5 or 6 times a year, for a few hours at a time, and it’s not unusual for me to go 3-4 months without opening it. But Adobe doesn’t let you subscribe for a month here and there. Nope, you have to pay for a minimum of 12 every time.

It feels a bit like Adobe is taking all the benefits of the subscription model here, while giving little to the customer (in all fairness the 12-month term is true of Jetbrains as well, but it’s compensated for by being able to use the base version in perpetuity).

The Options

The relevant plans are the Photography plans. Everything else is way more expensive and includes things I don’t need, so let’s look at the 3 photography options (I’ll ignore monthly cost because they are all annual plans):

Adobe Creative Cloud plans
  • Photography Plan (20GB) – £119.76/yr
    • Lightroom
    • Lightroom Classic
    • Photoshop
    • 20GB of cloud storage
  • Photography Plan (1TB) – £239.64/yr
    • Lightroom
    • Lightroom Classic
    • Photoshop
    • 1TB of cloud storage
  • Lightroom Plan (20GB) – £119.76/yr
    • Lightroom
    • 1TB of cloud storage

Of these, the 20GB Photography Plan is the closest fit. The product I’m after is Lightroom Classic, and I have no need for cloud storage (I use a local NAS backed up to Blackblaze B2).

But let’s look at the individual items:

  1. Lightroom
    • This is not actually the same as the old standalone Lightroom; it’s a cut-down, simplified app/web version that I don’t want or need. It’s an online cloud-first solution, which stores your photos in the cloud, hence the need for storage. Being able to log in and edit your photos from anywhere is nice, but the problem for me is the lock-in; it’s much harder to move to a competing solution compared to offline tools that organise, store and edit files on your local computer.
  2. Lightroom Classic
    • This is what was previously known as just “Lightroom”. It’s the same offline desktop product we know and love, and as is what any professional or power-user would want to use.
  3. Photoshop
    • Possibly the cheapest way to get Photoshop… but I don’t need it.

The best fit for me is the Photography Plan (20GB) for £120/year.

My previous expenditure on Lightroom is £106.48 for an outright purchase of Lightroom 4 in 2013, and then £59.09 to upgrade to Lightroom 6 in 2015.

Considering I still use it today, that’s £165.57 over 6 years, so £27.60/year or £2.30/month.

If it was still possible to buy a standalone version, I would have done so by now, thus it’s probably fair to factor in another £60 upgrade, which brings it to £225.57 for 6 years. That’s £37.60 per year, or £3.13/month.

Whichever way you slice it, Adobe is asking me to spend at least three times more to use Lightroom than I have in the past.

A no-brainer for professionals

If I was a professional photographer that used Lightroom every day, I’d subscribe in a heartbeat. By way of comparison, Jetbrains’ IntelliJ is a tool I use every day. It also costs £119 for the first year, the same as the Photography Plan (the price drops for subsequent years though).

For a tool I use daily it’s a bargain, and if I was a full-time photographer it would be decent value, even if I never used Lightroom Cloud and its storage.

The problem is that, as an occasional user, the extras don’t justify the cost. I’m being asked to pay for two products I don’t want, and cloud storage I have no use for.

Au revoir Lightroom

If it wasn’t already apparent, I’m going to vote with my wallet and decline to upgrade to Creative Cloud. I’ll keep using Lightroom 6 for now, as my DSLR is even older and the raw files are supported, but it’s starting to show its age. I’m already getting notifications on my Mac saying it needs updating for future versions of MacOS.

So I’m in the market for an alternative. Has any ex-Lightroom user found an offline, non-cloud photo-editing and organisation tool that they’d recommend? Organisation by filesystem is a requirement, and compatibility with Lightroom’s side-car preset files would be a huge bonus!

Life after Crashplan

Crashplan’s email to home customers

If you’re reading this and don’t know me personally, you’re probably aware that Crashplan decided to “sunset” their Crashplan Home offering on August 22nd last year. No new subscriptions are being taken, and it will cease to exist from August 2018. Unfortunately, my subscription expired in December.

I was hugely satisfied with Crashplan, and thought it was by far the best online cloud backup solution in the market for the average home user.

  • It offered free peer-to-peer backups which meant I could backup my devices to my own server, or even trade encrypted backups with friends.
  • The client to backup to your own devices was free, and the cost for online cloud backups was a very-reasonable $150 USD for 12-months of unlimited backup storage.
  • By virtue of being written in Java, the client was available for Windows, Mac and Linux (I have all 3).
  • It supported headless operation, albeit with a bit of jiggery-pokery, i.e. editing the client config file to point to another agent via an SSH tunnel. This meant I could run it on my home NAS device, which naturally stores my important data (Photos mainly).
  • No limits on the number of devices that were backed up, or charges per-device.

Naturally, I was disappointed when they announced they were discontinuing it. “No worries!” I thought, there must be something else out there. As it turns out, Crashplan Home was almost too good to be true. Continue reading

From Ivy Bridge to Threadripper Part 1 – A Water Cooling Retrospective

Some of the links in this article are Amazon affiliate links, which pay me a commission if you make a purchase.

I could have brought a plain old Ryzen, a Core i7 or even another Core i5. But with Intel sitting on its hands the past 5 years in the face of no competition, I decided it was time to splash out and reward AMD for not only investing in CPUs again, but making an interesting high-end desktop product while not nickel & diming its customers over PCI-E lanes.

And so, I brought a 1920X.

I don’t really need 12 cores. Other than general browsing, my PC is used for work, (coding) plus a bit of gaming, and a gaming CPU this is not. Running multiple VMs and M.2 devices without slowing down will be nice, but this build is mostly overkill for my needs. And that’s really the point! Continue reading

Archival Storage Part 1: The Problems

All of us have data which has value beyond our own lives. My parents’ generation have little record of their childhoods, other than the occasional photo album, but what little records there are, are cherished. My own childhood was well preserved, thanks to the efforts of my mother. Each of my brothers and I has a stack of photo albums, with dates and milestones meticulously documented.

Today, we are generating a massive amount of data. While the majority of it will not be of interest to future generations, I believe preserving a small, selective record of it, akin to the photo albums my mother created, would be immensely valuable to my relatives and descendants – think of your great grandparents jewellery, a photo album of your childhood that your parents created, immigration papers of your predecessors.

Modern technology allows us to document our lives in vivid detail, however the problem is that the data is transient by nature. For example, this blog is run on a Linode server – if I die, the bill doesn’t get paid and Linode deletes it. If Linode goes away, I have to be there to move it to a new server. If Flickr goes away, my online photos are lost. If Facebook goes away, all that history is lost. Laptops and computers are replaced regularly, and the backups created by previous computers may not be readable by future ones, unless we carry over all the data each time.

In part one of this series (this article) I document the problems of common backup solutions for archival storage, with reference to my own set-up. In part two, I’ll detail my “internet research” into optical BD-R media and how it solves these problems, and in part 3 I’ll deal with checksums and managing data for archival (links will be added when done).

Part 1 is fairly technical, so if you just want safe long-term storage, install and configure Crashplan, and skip to part 2.

Continue reading

Dear @Adobe and @Oracle, please stop offering crapware with every Java and Flash Player update. It gets old quick.

Unticking a box might seem like a small thing, but consider the following:

  • The number of Flash Player and Java updates are frequent due to security issues and staying up to date is very important.
  • Updating Java or the Flash Player is anything but a frictionless process as it is. For Flash, upon clicking the update prompt I am taken to a download page, where I must untick the box for whatever crapware is on offer, click download, open downloads, launch the download, close web browsers (and possibly other applications), click retry, finish. Java is a little better, but not much.
  • Many people have multiple devices to update which magnifies the annoyance factor.

We are not in the 90s any more. Apple, Microsoft and Google have all managed to make updates a 1 touch process (or less), and this is the expectation of your users.

So stop being precious about distribution, but in the very least, stop abusing the update process as a marketing opportunity. It is irresponsible and annoying to millions of people every day.

Host switch

This blog has just moved from a Rackspace Cloud host to Linode, which offers a lot more specification for the pound (quadruple the ram for one).

At the same time I’ve migrated from CentOS + Apache to an nginx + php-fpm setup, which is not exactly easy for WordPress, but it feels good to be in the modern era!

Let me know if you notice any problems :)